Determinism, Objectivity, and Pessimism in The Open Boat :: Open Boat Essays

Determinism, Objectivity, and Pessimism in The Open ride In Stephen Cranes short invention The Open Boat, the American literary school of naturalism is used and three of the eight features are well-nigh apparent, making this work, in my opinion, a good example of the school of naturalism. These three of the eight features are determinism, objectivity, and pessimism. They show, some more than others, how Stephen Crane viewed the world and the environment around him. Determinism is of course the most obvious of the three features. Throughout the inbuilt story, the reader gets a soul that the fate of the four main mentions, the cook, the oiler, the correspondent, and the original are totally pre-determined by disposition and that they were non their own lesson agents. The little boat, lifted by each towering sea and sprinkle viciously by the crests, made progress that in the absence of seaweed was not apparent to those in her. The characters had no control over their boat, rather nature was totally in control. She seemed just a wee thing wallowing, miraculously top up, at the mercy of the five oceans. Occasionally a great(p) spread of water, like white flames, swarmed into her. (pg.145) There is also a sense that objet dart is totally not important to the natural forces controlling his fate. When it occurs to man that nature does not regard him as important, and that she feels she would not maim the founding by disposing of him, he at first wishes to throw bricks at the temple, and he hates deeply that there are no bricks and no temples. (pg156) The one character who perishes, the oiler, is of course a victim of determinism. Even as he was so close to land and no longer out in the open air sea, nature still takes its role in determining his fate. Objectivity refers to how the origin describes reality as it exists, that is, not glorifying something, but rather simply stating the observation. The particular that the narrator is the c orrespondent in itself give an impression on how the story is going to be told in a more journalistic sense, describing unquestionable events instead of feelings or ideas. In the meantime the oiler and the correspondent rowed. They sit down together in the same seat, and each rowed an oar.